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・ Salvadori's eremomela
・ Salvadori's fig parrot
・ Salvadori's nightjar
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・ Salvadori's seedeater
・ Salvadori's teal
・ Salvadorian Athletics Federation
・ Salvadorian Magpie
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・ Salvage (1921 film)
・ Salvage (2006 film)
・ Salvage (2009 film)
・ Salvage (Angel)
・ Salvage (short story)
Salvage (The X-Files)
・ Salvage (Transformers)
・ Salvage 1
・ Salvage anthropology
・ Salvage Code Red
・ Salvage Corps
・ Salvage diving
・ Salvage drum
・ Salvage enzyme
・ Salvage ethnography
・ Salvage for the Saint
・ Salvage for Victory
・ Salvage logging
・ Salvage Mice
・ Salvage Mountain


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Salvage (The X-Files) : ウィキペディア英語版
Salvage (The X-Files)

"Salvage" is the ninth episode of the eighth season of the American science fiction television series ''The X-Files''. It premiered on the Fox network on . The episode was written by Jeffrey Bell and directed by Rod Hardy. "Salvage" is a "Monster-of-the-Week" story, unconnected to the series' wider mythology. The episode received a Nielsen rating of 7.1 and was viewed by 11.7 million viewers. Overall, the episode received largely negative reviews from critics.
The series centers on FBI special agents Dana Scully (Gillian Anderson) and her new partner John Doggett (Robert Patrick)—following the alien abduction of her former partner, Fox Mulder (David Duchovny)—who work on cases linked to the paranormal, called X-Files. In this episode, Doggett and Scully encounter a dead man who is still living—only somewhat changed. What they discover is a man made of metal, enacting vengeance on those he believes created him.
"Salvage" was loosely based on ''Tetsuo: The Iron Man'', a 1989 Japanese cyberpunk film by cult-film director Shinya Tsukamoto. Written by Jeffrey Bell before Robert Patrick was cast as agent Doggett, the film coincidentally echoes the plot of the 1991 film ''Terminator 2: Judgment Day'', which Patrick starred in. Indeed, the episode contains an explicit reference to Patrick's role, written in homage. The episode contained several elaborate special effects sequences, most notably in the teaser, wherein a man stops a car with his body.
==Plot==
In Muncie, Indiana, Nora Pearce and Curtis Delario argue about the death of her husband, Ray. Nora believes Ray died from Gulf War syndrome. After attempting to comfort her, Delario starts to drive home and crashes into a man in the middle of the road. His car is totaled, but the man is unharmed as the car breaks around his body. Curtis, grievously injured, looks up at the man and says, “Ray?” The man’s arm slams through the windshield as Curtis screams.
Agents Scully and Doggett investigate the crash. Scully suggests a man stopped the car but Doggett points out how it would have required a dense block of steel to stop the car. Nora Pearce appears and asks what happened to Curtis Delario. Soon afterwards, Scully finds Delario’s body left in a garbage can nearby; his face has gaping holes in it. Autopsying the remains, Scully concludes that the five holes in the man’s face were made by human fingers, as someone reached into Delario’s head and pulled him out of the wrecked vehicle. Doggett finds a fresh fingerprint with the blood of Ray. Agent Doggett goes to see Nora Pearce and finds Harry Odell, who employed Ray Pearce at his salvage yard. Doggett asks about Ray, but Nora insists she saw Ray die; both do not believe Ray could be involved in Curtis’s death.
Later, Ray Pearce eats at a halfway house as volunteer Larina Jackson bothers him. She tries to reach out to help him but he is completely uninterested in talking with her. Meanwhile, at the salvage yard, Odell is shredding documents when Ray appears. Harry feigns friendliness while he gets the shotgun out of his desk drawer. He blasts Ray through a sliding glass door. Ray’s detached arm begins to rebuild itself with metal. Harry is transfixed by this sight as Ray kills him. The next morning, Doggett checks out the new murder scene and finds an interesting shredded document. Doggett goes to Chamber Technologies and learns about "smart metals"—metals that rebuild their original forms but are still a metallurgist’s pipe dream at the moment. On the phone, Doggett mentions the "smart metals" and Scully tells Doggett about how Ray Pearce’s medical records show his whole cellular structure was changing due to exposure to an unknown substance. Meanwhile, Larina sees Ray’s obituary in the paper and is watching the television news story about the murder at the salvage yard. She decides to call Ray’s widow.
Doggett and Scully discuss Ray Pearce with Doggett. Scully wonders: if Pearce has become a "metal man," how can he be stopped? Pearce arrives at Chamber Technologies. Dr. Pugovel, one of the scientists working there, lures him into a containment chamber and then Doggett, Scully, and SWAT team members surround it. He eventually tears his way out of the back of the chamber. Nora waits for Ray in the halfway house. Ray explains that he didn’t come home because he isn’t himself anymore. Ray turns angrily to her and says, "They've got to pay for this. They've all got to pay."
Doggett, searching in the salvage yard, finds a Chamber Technologies drum, inside of which is a metal corpse. When Scully and Doggett confront Pugovel about it, he admits it was Dr. Clifton, a doctor who mysteriously disappeared. He requests that he be put in the barrel in order to not ruin the company or slow the research. Doggett and Scully realize that Ray was exposed to the barrel, and thus was transformed into a metal human. At the same time, Doggett notices Nora Pearce at the lab, looking through files for the person responsible. Later, the halfway house is raided by the FBI to find Pearce. Larina finds Ray and he puts one hand over her mouth to muffle, but he kills her by accident.
When Nora arrives home, Ray shows up demanding the name of the person responsible. She tells him that the man responsible is Owen Harris. Ray finds Harris, along with his family, and nearly kills him. However, he realizes that Harris was an accountant who accidentally sent the barrel to the salvage yard. Seeing that he was ultimately innocent, Ray spares him and goes off to die. Scully believes that this act represented the last of Ray’s humanity.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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